How To Use Informal Balance To Make Your Stuff Sell

8 replies
Engagement of viewer/reader attention isn't just the first-step
in the selling process. These days, with the onslaught of information
and withering attention spans afflicting consumers, engagement
is practically the whole ball of wax.

Graphics and visual play a major roll in engagement on the web.
You know this - and it's important to understand that attractive
graphic design may not be the right kind to sell your product.
Sometimes ugly or informally balanced design wins
attention better than conventionally balanced design.

There's more about this in a recent blog post I made, with good
example of what I find an ugly, yet highly-engaging design. The
URL is copywriting - persuasive graphics use | Loren Woirhaye writes about online marketing, business success factors, and how to make your advertising more effective

If you are selling collectible ceramic birds to old ladies, pretty
design may be a better choice... but if you need to cut-through
the shield of apathy today's overstimulated younger consumers
carry before them, sometimes your graphic design should be
screaming for attention. Furthermore, it may not be enough to
just get attention - actually creating an uncomfortable
feeling with jagged design upsets the reader, stirring her emotions.

When you've got people emotionally engaged you've got their
attention and they're listening to what you have to say.

Now I know graphic design in the internet marketing scene has
reached a high level of polish, but I'll bet these sales-letters with
the glossy sports car headers don't actually engage. These
headers may attract affiliates and in some cases may be
appropriate for the market they're targeting... but in many cases
I'd wager (if I were a betting man) that introducing upsetting
graphical elements would boost engagement and probably
response.

Thoughts?
#balance #informal #make #sell #stuff
  • Profile picture of the author Nathan Alexander
    Daughters crying and I'm typing with one hand. But I wanted to say that's a great point. It's an almost unconscious thing isn't it?

    Lucky for me I'm not sophisticated. So I'm usually "messy" without trying to be.

    I loved the blog entry too. And I agree, that looks commands attention. And I'm sure it's for the reasons you state.

    I suspect we'll see more of it as well as the "trends" shift if it's true. Otherwise, I think it's a valid observation.
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    • Profile picture of the author BigWig10
      Wow. That is all I really have to say. This was an awesome post man, and I agree with Nathan the blog post was great.

      Personally, I think the messy look is cooler and edgier than the very streamlined tech look that's been going on for too long now. It definitely draws the eye in and keeps it moving on the page - which is what we all hope for.

      Again, loved the post.
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      • Profile picture of the author ryanmberg
        Great topic to bring up as I think a lot of writers (myself included) can overlook the graphical side of things. You pointed out some interesting things to think about.

        That Kiyosaki graphic has a LOT going on haha. Was that from an email or his web site?

        I think another element to consider is novelty. If people have seen the same old design 1,000 times and you come in with something different it might jolt them out of their trance.

        Ryan
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  • Profile picture of the author Mr. Subtle
    Originally Posted by Loren Woirhaye View Post

    There's more about this in a recent blog post I made, with good example of what I find an ugly, yet highly-engaging design. ...

    Thoughts?
    The Kiyosaki promotion is NOT an example of UGLY design. If you need a sample of ugly design, then just look at your website header.

    (Posted WITHOUT any animosity whatsoever.)




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    • Profile picture of the author Loren Woirhaye
      I guess I did get carried away and call the Kiyosaki graphic
      ugly here. It's not really, but it is an unbalanced composition.
      They are not the same thing but I suppose I was putting the
      two together as I wrote the post above, as if they were
      like left-and-right-shoes.

      In this analysis a design might be classified as"
      ugly/informally balanced,
      ugly/formally balanced,
      ugly/not balanced,
      not-ugly/informally balanced,
      not-ugly/formally balanced,
      or not-ugly/not balanced
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      • Profile picture of the author John_S
        It's like Groundhog Day -- the Movie with Bill Murray.

        Had this discussion seven years ago. Will have the exact discussion seven years from now.

        Pretty versus Ugly is not experimentally interesting, because they're both irrelevant to results. Well, at least insomuch as the graphics clients (not customers) are more inclined to judge pretty test out as reducing results.

        You can visit the article in my sig. Some may actually read it. A few even might accidentally apply what they find. There's actual design A/B split run testing behind what's there -- including a link to the article Your Website Doesn't Have To Be Pretty.

        We are constantly learning about how some ugly effort out pulled the art director's best. Clever doesn't work in headlines. Clever doesn't work in graphics. Try smart.

        Looks matter, just nothing like the way graphic artists want them to. Pretty is a dead end, Message-to-Market Match is Everything Pretty IS NOT.

        You're talking "A," you are not talking AIDA applied to graphics and design. And you need to be.

        Stay tuned. I'm due to repost this in seven years. Luckily I can copy and paste it as nothing will have changed. "Yeah, graphics are probably important in some kinda way." In other words: Oh. ...Look. ...Pretty. ...Ummmm, now what did I come to this site for?

        Graphic artists know everything they need to about getting attention. They know next to nothing about what to do with it once they have it.
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          • Profile picture of the author Mr. Subtle
            It's somewhat amusing (to me) that Makepeace today published, on his blog, an encore performance of his letter about design from which I borrowed the call out from above.




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