***►500 Unique Articles Per Day! No writing necessary! GENERATE Articles for ANY niche***

[ZGamer]

Who Else Wants to Click Buttons And Generate 500 Unique Articles a Day?

Dear Warrior,

How much is 500 articles a day worth to you?

Just remember, articles = traffic. Traffic = money.

If each one of those 500 articles made 1 sale per month, and you get $17 per sale, that's $8500/month from one day of work.

Or for SEO, that's 15,000 backlinks per month.

But I won't confuse you with the math!

How Is This Possible?

TECHNOLOGY makes it possible!

You see, just by clicking a few buttons, you should be able to generate UNIQUE articles within 10 seconds.

My system will have you finding FREE articles on the web, and then pushing a button to re-write 5-10 unique articles from that one article.

That's right, re-writing FREE articles. That means you don't have to type a word. The technology does it all for you!

Imagine all the traffic and sales from that! The paychecks will just be rolling in one after the other!

This is so easy, a monkey can do it.

WOW! Just What Do I Get?

* The secret technology techniques that creates "push button" unique articles

* Find FREE public domain articles for any niche that can be easily "re-written" with technology in 5 seconds

* Create hundreds of UNIQUE articles in a single day

* Get hundreds of easy backlinks. Best of all, these backlinks won't be hit by the duplicate content penalty because all your articles are unique!

* Generate thousands upon thousands of sales and leads with this easy method!

Can We See It In Action?

Here's a sample article I generated in about 10 seconds:

What causes carpal tunnel syndrome?
Doing the same hand movements over and over can lead to carpal tunnel syndrome. Carpal tunnel syndrome is linked to other things too.

Symptoms of carpal tunnel syndrome
* Pain in your wrist, palm or forearm.
* More pain when you use your hand or wrist more.

How is carpal tunnel syndrome diagnosed?
* Your doctor may tap the inside of your wrist.

How serious is carpal tunnel syndrome?
Carpal tunnel syndrome usually isn't serious.

How is carpal tunnel syndrome treated?
If carpal tunnel syndrome is caused by a medical problem, your doctor will probably first treat that problem.

Your doctor may ask you to rest your wrist or change how you use your hand. A splint can help ease the pain of carpal tunnel syndrome, especially at night.

Tips on relieving carpal tunnel syndrome

* Avoid using your hand too much.
* Avoid bending your wrists down for long periods.

Doing the hand, wrist and finger exercises that your doctor tells you to do after surgery is very important. Can I prevent carpal tunnel syndrome?
Many products you can buy--such as wrist rests--are supposed to ease symptoms of carpal tunnel syndrome.

* Switch hands during work tasks.
* Take regular breaks from repeated hand movements to give your hands and wrists time to rest.
Pain Disorders
* Chronic Pain
* Chronic Fatigue Syndrome
* Complex Regional Pain Syndrome
* Patellofemoral Pain Syndrome

I'm not a doctor. I know nothing about carpal tunnel syndrome, except that it affects the wrist. So this goes to show you it works for ANY niche, even if you know nothing about it.

And Just To Sweeten the Deal...

Look, I'm all about overdelivery here...

So if you grab your copy today, I'll throw in a list of 500 article websites for you to submit to!

And to overdeliver one step further, if you're not totally satisfied in the first 30 days, just email me and I'll refund you 100% on the spot!

So now you get to try this out completely risk-free!

It's all on me to prove this will really bring in big fat paychecks for you!

What Are People Saying?

From DonMartin-GA

Payment sent ..Read the instructions...In under 1 minute I had 2 400 word articles that were perfectly coherent, (Not gibberish) on 2 subjects I have not previously written content articles.

I feel like I got my money's worth and will not be asking for the refund that is offered. It is, as stated, a straight forward method that does exactly what he says. I'm not sure it'll work in every subject to everyone's satisfaction, and you may want to polish the articles a little more which could add a couple of minutes, but 3-5 minute articles (including editing) are definitely feasable. One other thing, I used the Forex subject above without realizing he had used that in his posting and my article, although it had some of the same hard information was unique as compared to the article above.
Just my 2 cents. More advanced and knowledgeable warriors may think differently.

Thanks for the WSO ....

Don

From etycoon

Hi folks,

Here's my unbiased review:

It's really an ingenious way - absolutely no learning & no writing or research or any of
the laborious stuff that you have to do with the normal type of article writing. The report
is short & sweet - anyone can implement this technique in seconds after knowing it!
Even I having been online for years didn't know about this free resource which is available to practically anyone who has an internet connection.

Kudos to ZGamer for this most helpful revelation )


Bill

From JMichaelZ

Got it, thanks.

Actually I think that's pretty clever and a lot better than most spinners. Thanks you

JMZ

How Do I Get This AMAZING Offer?

You can get this amazing offer that will skyrocket your sales, leads, and traffic for just $9.67!

This is a special offer for Warriors ONLY.

This isn't going out to the public. You'll never see this offer again. Once it's gone, it's gone!

==> Hurry and grab your copy now! INSTANT DOWNLOAD! <==

[scorpio9]

just made a payment, Transaction ID: 9KR25821PP6225412
however the return button in PayPay does not work, I got an error message

"Method Not Allowed
The requested method POST is not allowed for the URL /index.html"

[ZGamer]

Hi scorpio9,

Did it get emailed to you though? The download link gets emailed, it doesn't come up on a page.

Thanks.

[scorpio9]

Yep, got that later and downloaded OK

[Sylvia Rolfe]

Can I get a sample with both an original article and a new one so I can compare them?

Sylvia

Ps. You may want to check the WSO rules about not bumping your WSO till it has dropped off of page two.

[ZGamer]

Hi Sylvia,

Thanks for the rules reminder. Anyways, here you go:

Original:

Though jazz and classic blues are really early twentieth-century black music innovations, certain characteristics found in jazz do have their roots in much earlier musical traditions. Call and response, improvisation, the appropriation and reinvention of elements from Western art music: black music in the twentieth-century has never held a monopoly on these musical practices. For instance, the era American historians call "antebellum" (roughly 1815-1861) holds much of interest to researchers looking for the deep roots of jazz.

There was one condition that had to be met for a black tradition unique to North America to develop. There had to be a creole population in place, i.e. a population of blacks born not in Africa but in America. Historically, and for various complicated reasons, slaves in the United States began reproducing their numbers after the closing of the African slave trade in 1808. The creole birthrate actually climbed in the United States, as opposed to most Latin and Caribbean American colonies. Unlike in Brazil or Cuba direct African infusions into black American culture were much less pronounced in the early and middle nineteenth-century. After 1808, blacks in North America began remembering--as well as forgetting--African musical traditions, reinventing them to fit their needs in an entirely different American context. This is an important thing to remember, especially if you hold with Amiri Baraka that "Blues People" have always been curiously American "Negroes."

But the North American variation and reinvention of African tradition in the early nineteenth-century was not monolithic. That is to say, depending on the region and the demands of the musical audience--whether it be fellow slaves or plantation-owners--the music varied from place to place. Perhaps the difference between 'downtown' and 'uptown' black style even began during this era. On the one hand there were the plaintive call-and-response hollers and 'sperchils' to be found in the tobacco fields, cotton plantations, and sugar marshes that stretched from Virginia to Texas. These instances of black music-making were largely produced by and for a black slave community that understood the significance of the music in ways that whites never could. Scholars have often noted the hidden meaning of field hollers and the significance of the drums to communication between various slave groups. The drums were even banned in the British Caribbean. Meanwhile, 'uptown', there were the slaves that played for planter functions. Think here of Solomon Northup, abducted from New York and sold into slavery in the New Orleans area. He would play his violin with other slaves to entertain plantation misters and mistresses at quadrilles and fancy balls. Others slave musicians would play at the so-called quadroon balls, New Orleans galas where light-skinned slave women were auctioned off to the highest bidder. There were striking similarities between these balls and the Storyville milieu where Jelly Roll Morton learned to entertain prostitutes and their patrons.

Despite the fact that the vast majority of blacks lived in the South, there were some freemen and women in the North. Indeed, they even had their own autonomous cultural venues, like the African Grove theater in New York City. But perhaps an even more important agent in spreading black musical style to the North during the first half of the nineteenth century was minstrelsy. The minstrel show was born in the same year as William Lloyd Garrison's Liberator, 1831, when Dan Rice-for the first time in American history-"blacked up" for a variety show in New York's Bowery district. The show became increasingly formalized after the Christie Minstrels devised a much-imitated structure for it in the 1840s and 50s. Two ubiquitous components of this structure were the Stephen Foster songs and a generic instrumentation including banjoes, "bones" (jawbones scraped together for percussive effect), fiddle, and tambourine. Minstresly had of course a more spurious connection to black musical traditions than did, say, the spirituals. But it should be remembered that most Northern minstrels did go to great lengths to acknowledge the black stevedores or plantation slaves from whom they had stolen their material. This sort of Love and Theft, according to Eric Lott, set a precedent for a whole tradition of blackface in America where white performers would borrow lovingly, profitably, and heavily from black musical styles, from Dan Rice to Elvis.

Though the minstrel show declined in popularity during the 1860s, blackface has retained a unique place in American culture. When the Fisk Jubilee Singers--a black gospel group from the first all-black university--showed up in New York in the 1860s to try and raise money for their troubled institution some audience members were disappointed, expecting them to sing a bit more like the minstrels did. Indeed, blacks entering show business from the 1860s on often had no choice but to enter it as minstrels. As it turned out, white audiences after the Civil War preferred black minstrels--or blacks in blackface--considering them the "genuine" article. The irony is, of course, that blacks in blackface had to perform a stereotype of themselves contributing to the construction of pervasive stereotypes of black people based on apocryphal happy-go-lucky "Jim Crow" and "dandy" plantation types. Despite the more troubling aspects of minstrelsy, it was another place where European and African traditions met and mingled in a heady, racist, and decidedly American stew. It is also the place where many jazz performers including, for one, Bessie Smith got their start..

Some form of music shaped by the black experience in the United States had appeared in both the South and the North by the time of the Civil War. Likewise, New Orleans--being the center of the American slave trade--had already taken on special significance in the history of black music-making in America. The most interesting reference to antebellum black music is found in the abolitionist Benjamin Lundy's diary. Near the New Orleans slave market, the hub of the interstate slave exchange, blacks continued to meet on or around Congo square, under the supervision of their masters to sell their wares, exchange information, and dance to drums that Lundy sketched in his diary and claimed were straight from Africa. Another white observer, Louis Moreau Gottschalk--Americas foremost composer, inter-American cultural diplomat, and piano virtuoso of the 1850s-claimed that he grew up in the shadow of Congo Square. In what is probably his most famous composition, Gottschalk sketches for us an interpretation of another African instrument retained and reinvented by blacks in America. He called this composition "The Banjo."

New Version:

Though jazz and classic blues are really early twentieth-century black music innovations, certain characteristics found in jazz do have their roots in much earlier musical traditions. Call and response, improvisation, the appropriation and reinvention of elements from Western art music: black music in the twentieth-century has never held a monopoly on these musical practices. There was one condition that had to be met for a black tradition unique to North America to develop. After 1808, blacks in North America began remembering--as well as forgetting--African musical traditions, reinventing them to fit their needs in an entirely different American context. Perhaps the difference between 'downtown' and 'uptown' black style even began during this era. Others slave musicians would play at the so-called quadroon balls, New Orleans galas where light-skinned slave women were auctioned off to the highest bidder. The minstrel show was born in the same year as William Lloyd Garrison's Liberator, 1831, when Dan Rice-for the first time in American history-"blacked up" for a variety show in New York's Bowery district. Minstresly had of course a more spurious connection to black musical traditions than did, say, the spirituals. Though the minstrel show declined in popularity during the 1860s, blackface has retained a unique place in American culture. As it turned out, white audiences after the Civil War preferred black minstrels--or blacks in blackface--considering them the "genuine" article. Likewise, New Orleans--being the center of the American slave trade--had already taken on special significance in the history of black music-making in America. The most interesting reference to antebellum black music is found in the abolitionist Benjamin Lundy's diary.

[Mike X.]

This looks like it could be a great system.

The onlly problem is that when I take the new version of your article above and plug it into DupeCop - DupeCop - Duplicate Content Checker - check how unique your rewritten PLR articles are, DupeCop says that the new article is only 3.4% different than the first.

Do you have any upcoming updates that will make the generated articles more unique?

mx

[ZGamer]

Just like I said during my last thread about DupeCop:

Also, I just ran a test through Dupecop, and I'm not entirely sure how it works...or if it's even...working. You can copy an entire article into the Dupecop "Article A" box and enter random text like "asdf" into the "Article B" box and it'll show you that it's only 50% unique. Huh? Am I missing something? Otherwise, I do not recommend Dupecop at all.

I can tell you I've worked in SEO long enough to know the generated articles won't be flagged for duplicated content.

Just look at the articles yourselves and use your human eyes to see how "duplicated" the articles are. I doubt some novice programmers at Dupecop would be able to provide a more reliable measure than Google's engineering team, whose systems probably won't flag an entire article against random text like "asdf" to only be 50% unique.

[Sylvia Rolfe]

The problem isn't so much that Google will flag it but that the article directories will. Most of us that use article writing are bum marketers that means we submit them to EZA etc. 3.4% will not cut it for them or any other manually checked article directory. Thank you though for finally providing a sample or original and "new".

[Instructor]

Agreed. 3.4% won't even pass copyscape, and certainly not EZA

[Carm]

Hi ZGamer,

I just want to say thank you, this is excellent for adding posts to blogs, sites etc, the first article I did came up 44.59% unique, when I want to write for article directories then I write from scratch but for the quick posts, Squidoo, Blogger etc your method is just great.

I've paid lots more and received lots more 'words' in the reports/ebooks with a lot less actual content and information.

Thanks for putting this up as a WSO and sharing. Hope you do really well and every success to you.

[ZGamer]

Thank you for the wonderful testimonial Carmel!

Originally Posted by Instructor

Agreed. 3.4% won't even pass copyscape, and certainly not EZA

Please read the above posts. DupeCop's algorithm is very flawed. You can put an entire article and test it against gibberish and it'll tell you there isn't much uniqueness. Just compare the two articles yourself and, with the human eye, you will see it's not even close to being only 3% unique...not by a long shot.

[magentawave]

Originally Posted by ZGamer

Thank you for the wonderful testimonial Carmel!



Please read the above posts. DupeCop's algorithm is very flawed. You can put an entire article and test it against gibberish and it'll tell you there isn't much uniqueness. Just compare the two articles yourself and, with the human eye, you will see it's not even close to being only 3% unique...not by a long shot.

I just compared the two and I guess its not just DupeCop seeing duplicate content because Dupefree Pro comes up with 99.640% duplicate content. too bad because I was very interested.

Steve