CONNECTIVES: The Copywriting "Trick" To Help You Make And Complete The "Perfect" Ad:

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I call this "trick" ... "using connectives".
A "connective" is using phrases like:
That means
You might be wondering
Plus
You'll thrill to know
You might be thinking
Here's how
Let me explain

etc.
You see, when you're writing copy, you likely have a lot of information you want to stuff into your ad or sales letter.
But your mind is afraid to jump into a new subject... a new paragraph.
Yet, you need to.
These "connectives" give you permission to change gears a little bit.
And they give the reader permission to accept that you're changing gears.
Hope that helps.


(edit)
#complete #connectives #copywriting #make #perfect #trick
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  • tbh I would wanna connect buyer to seller in the max kinda MWAH MWAH MWAH arrangement.

    & bcs they srs individyools seekin' sumthin' catalytically smart from such a Once In A Cosmos link-up,

    natchrlly we gotta balance Strategy Sourced From The Proven gainst Dreamola Might Kinda Work Out Bettah bcs the fyooture got a habit of nevah existin', evah ...

    an' yet there we must all step out togethah.

    Discourse progresses from epoch of whatevah to epoch of whatevah, an' sumtimes we gotta shelter under an umbrella, sumtimes we gotta hit the beach in our Juicies.

    So, yeah -- connectivity.

    Past & fyooture.

    Me & you.

    Here & now.

    Less'n we all got equill hold on this eternally diverse arc of evidently manifestible possibility, we prolly jus' stoopid.

    Jus' gotta be sure not to get lost off on the duds on the road to incandescent glory, I guess.

    (I say this to my stylist evry time she braves my frickin' rat tails an' it ain't got me stabbed in the brains with no scissors so far, which is why I proffer it here as WISDOM 'PON WHICH YOU MAY DERIVE SUCCOR steada ... yeah actschwlly you bleedin' to death from the cerebellum now ... shoulda gone down the road to the totally unchatty perfumed ponce guy an' paid extra for the privilege of bein' licked in the ass by his Beyond Unattractive Pseudo-Frickin-Pooch kinda thing.)

    You Saying We Gotta Be

    Easy As Oxygen, Hard As Neon,

    O Princess?

    tbh, sounds like a rhetorical question to Moi, so I won't ansah jus' in case I get mistaken for a mug when the trooth catches up with my ass in the afterlife.
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  • Profile picture of the author max5ty
    I refer to these as transition words - but your phrase works also...

    Transitions clarify the logic of your argument by orienting your reader as you develop ideas between sentences and paragraphs. These tools should alert readers to shifts in your argument while also maintaining the smoothness and clarity of your prose. Below, you'll find some of the most commonly used transition categories and examples of each.

    Depending on the example, these suggestions may be within sentences or at the beginning of sentences.

    1. Addition - use when presenting multiple ideas that flow in the same direction, under the same heading/ idea:

    also, another, finally, first, first of all, for one thing, furthermore, in addition, last of all, likewise, moreover, next, and, second, the third reason

    2. Sequence/ Order - use to suggest a temporal relationship between ideas and places evidence in sequence first, second (etc.):

    next, last, finally, first of all, concurrently, immediately, prior to, then, at that time, at this point, previously, subsequently, and then, at this time, thereafter, previously, soon, before, after, followed by, after that, next, before, after, meanwhile, formerly, finally, during

    3. Contrast - use to demonstrate differences between ideas or change in argument direction:

    but, however, in contrast, on the other hand, on the contrary, yet, differ, difference, balanced against, differing from, variation, still, on the contrary, unlike, conversely, otherwise, on the other hand, however

    4. Exception - use to introduce an opposing idea:

    however, whereas, on the other hand, while, instead, in spite of, yet, despite, still, nevertheless, even though, in contrast, but, but one could also say...

    5. Comparison - use to demonstrate similarities between ideas that may not be under the same subject heading or within the same paragraph:

    like, likewise, just, in a different way / sense, whereas, like, equally, in like manner, by comparison, similar to, in the same way, alike, similarity, similarly, just as, as in a similar fashion, conversely

    6. Illustration - use to develop or clarify an idea, to introduce examples, or to show that the second idea is subordinate to the first:

    for example, to illustrate, on this occasion, this can be seen, in this case, specifically, once, to illustrate, when/where, for instance, such as, to demonstrate, take the case of, in this case

    7. Location - use to show spatial relations:

    next to, above, below, beneath, left, right, behind, in front, on top, within

    8. Cause and Effect - use to show that one idea causes, or results from, the idea that follows or precedes it.

    because, therefore, so that, cause, reason, effect, thus, consequently, since, as a result, if...then, result in

    9. Emphasis - use to suggest that an idea is particularly important to your argument:

    important to note, most of all, a significant factor, a primary concern, a key feature, remember that, pay particular attention to, a central issue, the most substantial issue, the main value, a major event, the chief factor, a distinctive quality, especially valuable, the chief outcome, a vital force, especially relevant, most noteworthy, the principal item, above all, should be noted

    10. Summary or Conclusion - use to signal that what follows is summarizing or concluding the previous ideas;

    to summarize, in short, in brief, in sum, in summary, to sum up, in conclusion, to conclude, finally

    This is an interesting subject, thanks for bringing it up.
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    • Profile picture of the author AdmanMrWoo
      Wow Max, you've done some good thinkin' 'bout this.

      I'm so glad you added to my comment.

      In my experience writing ad copy should begin with making...
      A list of benefits you'll get from this product or service...
      A list of features that support the idea of those benefits...
      (Perhaps a list of YOU'LL GETS.)
      And with your lists in front of you, the connectives will help you jump from item to item until a wonderful buying picture emerges.



      Here is an example of a car ad I wrote some years ago:



      <div> ----------------------
      Jet Black
      1998 Lincoln Continental.
      -----------------------
      This is the car that has been
      outselling Cadillac all over
      the county. Why? Because is
      such a fine car. The light grey
      interior is beautiful with leather
      everywhere; seats, steering wheel,
      arm rests. And this Lincoln has
      power locks, windows, mirrors,
      and seat adjustments that give
      your aching back perfect comfort.
      And the seats are heated. How's
      that for yummy? The Dolby sound
      system is fabulous for any radio
      station, cassette or CD you wish
      to play. The dash board indicators
      is like a space age cock pit, telling
      you miles per gallon, miles to empty,
      and so many other details you'd think
      the Lincoln has a computer on board.
      And you'd be right. It makes driving
      almost worry free. It has a huge amount
      of trunk space that can hold 9 sets of
      golf clubs. And it has a keyless entry
      system right on the door so you can't
      lock yourself out. It has bright, bright
      cornering lamps to illuminate any turn
      and too may other features to list here.
      It comes complete with a 80,000 km warranty.
      Plus, a 4-year FREE maintenance agreement.
      The front wheel drive on this Lincoln means
      snow and ice is no problem compared to other
      cars. And get this: This is a $56,000 car.
      But it's our last one so we've cut the price
      to $49,000 and the manufacturer has agreed
      to a $5,000 rebate. That means you pay only
      $44,000 for an amazing driving machine that's
      sure to give you years and years of driving
      pleasure. We suggest you bring $2,000 down.
      But, we'll try to work out whatever arrangements
      you want. But you must hurry. It is rare to find
      a deal this good. And we only have one. You can
      see this car at the Royal Ford show room across
      from the Holiday Inn on Broadway in Yorkton. Most
      of our other cars are indoors at the West Broadway
      Mall. But this shiny black Lincoln was too special
      to move over there. Decide now to own this fine,
      fine automobile. Royal Ford, Yorkton. (306) 555-2261

      --------------------------

      That car was the last on on the lot, and new ones were coming in, the dealer was desperate to sell it. It sold the next day.



      Again, Max5ty, thanks for your imput.

      MrWoo.
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  • Now all we gotta do is figure the flux between connectivity & transition an' we sparkin' on up for actschwaan, I guess.

    Thing is, I so love these hinnyisms guidin' the way to certainty.

    An' I would wanna call 'em JUXTAPOSITIONAL BLENDYJUICY.

    Perhaps it is from the indefinable arena of contrast that brightly tangible noo exotica manifests kinda anyways.

    That ain't the case, I an Egyptian slave gal tendin' loincloth maintenance for the fyootyure's haplessest saps as they haul rocks about the place steada layin' around inventin' frickin' jeeps.

    Words an' phrases for sumthin' that ain't quite anythin' define diversity an' contrast, both as tangibly evident science an' speculative kinda filosophical schwango, an' when we list 'em out, it is like we would wanna grab 'em sweet an' hold 'em close up like kittens.

    Yet we reach out only to discovah these meet-up places are tucked away in language's secret vestibule ... an' we can nevah quite touch on their ass.

    Spaces inbetween.

    Flights to & from.

    Shackles & freedom.

    Incendiaries cravin' form.

    Like Genevieve says in Molly Smithenholme's Victorian smutfest novel Grim Benevolence, "in that fleeting moment, I sensed Lord Ruggerham's desire to seek succour in the warmth of a gaze my family would never permit me to betray. But the rascal had his price also, and when finally we ravaged one another over pickled sweetmeats and opium in London's finest -- yet most secretly debauched -- hotels, I managed to procure his preserved beetle collection for the Wattlestrop-on-the-Thwappe museum and so save my beloved sister Gertrude from the evils of prostutution, possibly even the church."
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  • Profile picture of the author max5ty
    @AdmanMrWoo - Thank you for your ad, I enjoyed that.

    While I was going through my swipe file for the info I posted above, I also found this checklist to use after you've written a sales piece.

    1. Is the theme or benefit presented in the headline and lead likely to resonate powerfully with a significant number of your best prospects?

    2. Do the headline and lead instantly seize your attention?

    3. Are they instantly and completely believable?

    4. Do they present compelling benefits the prospect will derive in return for reading this?

    5. Do they explain why it is crucial for the prospect to read this right now?

    6. Do they establish the qualifications of the spokesperson beyond the shadow of a doubt?

    7. Do they sell you on reading the opening?

    8. Does the opening copy connect directly with the headline and lead - and intensify your desire to read on?

    9. Do the emotions you experienced while reading the copy that follows the open make you disposed to continue reading?

    10. Are all key statements of fact supported by sufficient specifics to make them believable?

    11. Does the spokesman present a compelling reason why he's writing this or offering this product or service - early in the running text?

    12. Is the prospect told why he/she absolutely must read this?

    13. Do the spokesperson's personality and conviction come through loud and clear?

    14. Does the copy feel like a one-on-one conversation between two friends with a common interest?

    15. Is the emotional tone of the copy appropriate for the subject matter?

    16. Is it clear that the spokesman is an advocate for the prospect and has an emotional stake in getting this information to him or her?

    17. Is the prospect likely to find an emotional soul mate - someone who articulates his feelings - in the spokesperson?

    18. Does the spokesman feel like a friend and advocate - and not just another salesman?

    19. Do you feel as though the copy moves faster as you progress through the piece?

    20. Are the practical benefits of the product and/or premiums fully dimensionalized?

    21. Are the positive emotional benefits the product/premiums deliver fully addressed?

    22. Are the negative emotions your prospect has regarding the topic at hand and that will be neutralized by the product fully explored?

    23. Are there entertaining elements sprinkled throughout - and if so, are they appropriate to the subject?

    24. Is the value of the product and all premiums fully dimensionalized - and is the price fully trivialized?

    25. Is there a plausible rationale given for the discount, premiums and other offer elements?

    26. Does the guarantee restate benefits and is it presented in a way that deepens the bond between the spokesman and prospect?

    27. Is the prospect's desire for instant gratification addressed? Have you emphasized how quickly he or she will receive the product?

    28. Did you feel your excitement rising to a crescendo as you approached the close?

    29. Does the spokesperson present a compelling reason to buy now?

    30. Is there an urgency motivator - a fast-response bonus, a limited offer, a deadline, etc.?

    31. Would it be strong enough to get you to act?

    32. Does the close leave you feeling like it would be insane NOT to order?

    33. Is there a special incentive to order right now - by phone?

    34. Does the order form copy restate the benefits and the guarantee in a compelling way?

    35. Does the order form appear to be simple and easy to use?

    36. Are the ordering instructions clear and easy to understand?

    37. Does the order form thank the new customer for his order and begin the bonding process?
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    • Profile picture of the author AdmanMrWoo
      Man o man... max5ty... I feel like I just step into a room with an old timer like myself.


      A lot of folks not only don't see the value of putting some good hard thinking into your marketing efforts... they don't know HOW to think about the matter either.

      But IF, IF, IF you can get just a little more response off your ad by thinking the thing through... you're not only going to increase your sales and maybe your profits... but you'll steal customers away from your competitor making his life more difficult and maybe drive him out of business.

      Just thinking.

      MrWoo
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      • Hellor AdmanMrWoo,

        Originally Posted by AdmanMrWoo View Post

        Man o man... max5ty... I feel like I just step into a room with an old timer like myself.
        You old Gary Halbert student. I remember you from aaallllloooonnnngggg time ago. Come to think of it weren't you mentioned in one Gary's letters?

        Lemme check...I'll be right back.

        I'm back...I found the letter you got mentioned in.

        https://www.thegaryhalbertletter.com...whats_good.htm


        Chinchilla
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        SEO Content Marketing Writer
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        • Profile picture of the author AdmanMrWoo
          I'm busted. Yes, I was mentioned in Gary Halbert's letter. I did some work for him and well as a lot of the other famous names in our little universe.

          However, unlike some of the guru's out there, I've just been a quite technician for all these years... instead of a self-promoter.

          Not only have I hired out to create promotions for clients, I've also bought and run and sold businesses. So, I've learned things most copywriters might not learn.

          For example: Great ad copy is important, but it's not the only thing. Vendor relations is important. Employees can kill your business. Regulators can screw with your hopes and dreams. Cheap prices leads to "twouble". The secretary can kill profits by not answering the phone in the right kind of way. Follow-up is more important than lead generation in most cases. Etc.

          Nice of you to remember my name from way back.

          We should talk some time. Feel free to call me, mid morning will do just fine.

          Yours
          Linwood
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          • Profile picture of the author AdmanMrWoo
            I was mentioned also in Gary Halbert's 100 People In Direct Marketing You Should Know.

            So, yes, I've been at it a while.
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  • What matters now, I guess, is the way in which anywan "might be wonderin'" -- or any sumsuch.

    An' I say this on the basis of connectivity potential as may exist between Hoomans of Round The Block Old (kudos to Woo!) an' intertrixty personstuffs manifested as goober Gen Z deliverables.

    I mentionin' this bcs messagin' has more access now to superjuicy visyools & instantaneous hit appeal, an' merely to SAY "You might be wondering" got all kindsa red flags gowin' on.

    Like the PRESUMPTION alarm jus' went off.

    "Actschwlly, no -- I was naht wondrin' at all, I was merely floatin' on a cloud till you showed up & foisted your drive-by speculation 'pon my frickin' ass."

    & yet connectivity between all generations gotta be troo -- less'n we all suddenly mutated out.

    So the trooth grain in mightness of wondrin' prolly gotta be eternal (an' I wanna hope so, or I ain't nevah swankyin' out noplace exotic with Benedict Cumberbatch), but we might wish to vary the form this connection potential takes.

    Rule connects same, manifestation don't need to be literal.

    That is why I always avoid LOLcats trojan horsin' crapola offa the back of cutesy fluff.

    tbh best transitions don't announce their flux.

    One minute you one place, next you sumplace else -- all jus' kinda bcs.

    Which is weird bcs so much transition stuff is anxiety for plenty people.

    Between jobs. Between partners. Between homes. Between times.

    An' what you want always is a narrative knits evrythin' togethah sweet.

    So all them pain points gotta kiss up alongside all the smoochie -- without sparkin' off incendiary like flint.

    Connectivity got the powah to unite whatevah you want & spill cool kinda noo stuff into the mix.
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  • Well...

    What a bazzing thread this is.

    Max on extra potency swipe files.

    The Princess on literature.

    An "under the radar" Halbert approved copywriter still in top gear.

    Whatever next.


    Steve
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    • Profile picture of the author AdmanMrWoo
      Oh, I just check your profile and lo and behold you're in England. So, zoom me or something like that.



      Regarding copywriting and connectives... it's true that the best movies, stories are stories about THE EPIC ADVENTURE. ... SEEMS to me, that our ads should be "epic journeys" also. ... either the journey of the product... or the journey of the buyers desire to find THIS product.



      Just thinking...

      Feedback?

      Linwood
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  • Profile picture of the author AdmanMrWoo
    Steve The Copywriter


    Nice to meet cha.

    We should talk sometime. Call me,

    Linwood
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  • Yes "journeys" it is.

    We could say the best ads make the good people have an epic adventure in their minds.

    And buying the esteemed product or service will make it all gloriously real.


    Steve
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  • Journeys as transformations makes sense to Moi.

    Right at the start you got a dream fyootyure you wanna make happen, an' the ad or offer is the hoop through which you leap in ordah to get there.

    If it don't promise the fyooture you seek -- why bother throwin' on your Nikes?

    Don't always have to be a heroic leap in the sense you gotta wear a spangly thong & carry a sword or nuthin' -- but it does have to be a very distinctive opportoonity to effect meaningful & tangible change.

    Once the change happens (bcs you fitter, healthier, more stylish, got noo headphones, ain't dead, pets pee straight -- or whatevah), you can gaze back through time's portal an' look in on your previous self with great satisfaction.

    Best still, the journey from Poor Past Unfulfilled Self to Shiny Noo You got nuthin' to do with the woids in the ad at all.

    Bcs you so smart, you jus' made the right decision at the right time.

    Hence the radiations of solar majesty blowin' outta your ass.
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    • Profile picture of the author AdmanMrWoo
      Originally Posted by Princess Balestra View Post


      Best still, the journey from Poor Past Unfulfilled Self to Shiny Noo You got nuthin' to do with the woids in the ad at all.

      Gene Schwartz said (in Breakthrough Advertising) something like, "it's not the words you use, it's the reaction you get."


      So, a good copywriter is not a master of words, but a master of reactions.

      Cool idea, huh?



      Linwood
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      • Originally Posted by AdmanMrWoo View Post

        So, a good copywriter is not a master of words, but a master of reactions.

        Cool idea, huh?



        Linwood

        Gotta fluff up the synapses, I guess.

        Like a real furry cat jus' wantsta lick on your face cos she knows you gonna feed her fulla yummy.
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