sound varying in quality

6 replies
Hi Guys and gals,
after much trial and error I finally managed to complete my first ever video today!
There is an issue however, the microphone seems to differ in quality. The first and third recording of a slide was very clear and crisp, the second and fourth was a bit grainy however. Any ideas as to what the problem may be?
Not sure if this is of significance but the microphone I use is the logitech USB desktop.

Thank you all
cadi
#quality #sound #varying
  • Profile picture of the author Charlotte Jay
    What software are you using? If you have anything else open on your desktop while you're recording, you are sacrificing quality of audio. I run my mic through a USP Pre Amp and I have a high quality cardiod mic, everything gets edited in Audacity. You can apply compression and noise reduction to get the sound more even.
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    • Profile picture of the author cadirondo
      Originally Posted by Charlotte Jay View Post

      What software are you using? If you have anything else open on your desktop while you're recording, you are sacrificing quality of audio. I run my mic through a USP Pre Amp and I have a high quality cardiod mic, everything gets edited in Audacity. You can apply compression and noise reduction to get the sound more even.
      Hi Charlotte,
      lots of great tips there thank you. The software Im using is Microsoft moviemaker. There were a few windows open so this may very well explain it. I will also look into downloading audacity.
      Thanks once more
      Cadi
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  • Profile picture of the author KenThompson
    Are you sure there was no background noise when you made the second
    and fourth slides?

    Is it possible the mic wire was positioned close to something that could
    have caused it to pick up interference?

    Any electronic or electrical devices/equip running during the second/fourth
    recordings that were not in the others?

    Is your mic securely plugged in to the USB jack?

    If it's an old mic, or maybe even slightly defective, try recording and wiggling
    the wire/cable at termination points such as at the mic or even at the USB
    connection. Could be slighly intermittent, but not open, connection or even
    slightly cold solder joint or oxidized terminal connection between different
    metal sources.


    Ken
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    • Profile picture of the author cadirondo
      Originally Posted by KenThompson View Post

      Are you sure there was no background noise when you made the second
      and fourth slides?

      Is it possible the mic wire was positioned close to something that could
      have caused it to pick up interference?

      Any electronic or electrical devices/equip running during the second/fourth
      recordings that were not in the others?

      Is your mic securely plugged in to the USB jack?

      If it's an old mic, or maybe even slightly defective, try recording and wiggling
      the wire/cable at termination points such as at the mic or even at the USB
      connection. Could be slighly intermittent, but not open, connection or even
      slightly cold solder joint or oxidized terminal connection between different
      metal sources.


      Ken
      Hi Ken,
      thank you also for your invaluable advice. Things were absolutely silent when I begun to record. The fan on the laptop was making a noise however so this could explain it. I also had a few windows open (one was for a live conferece room). I guess these combined will have caused the odd teething problems! For future projects I will ensure that all windows are closed and that no other devices are running.

      thanks once more
      cadi
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  • Profile picture of the author rickfrazier1
    It may not be really apparent, but one of the things that makes a huge difference in sound quality of a recording is the distance from the microphone and the aim of the mike. Most mikes have a cardioid pattern, which is a sort of rounded heart shaped area of sensitivity in front of the mike. Another way to think about it is to imagine a loosely filled balloon, with the microphone poked into one side. The point on axis forward of the front of the microphone is the most sensitive, with some sensitivity to the sides, and relatively little to the back (where the wire comes out). If you are talking to slides that you are recording on your PC, you may be moving towards and away from the microphone. This can cause a pumping effect, or can make a huge difference between sections, depending on how close you get to the mike.

    As someone already mentioned, if you can run the voice through a processor to compress and level the volume, you can get very consistent audio. I haven't looked for awhile, there's probably an application available for the PC that will do that. Years ago, I used separate outboard audio processing units for this function for live recordings.

    Depending on your voice, there also may be a proximity effect involved. Bass and lower frequency tones are picked up better by a microphone when they are very close by. As you move away from the mike, there is a sharp dropoff as you move away, which is not nearly so noticeable for higher pitched tones or high voices.

    If you aren't in the picture (for video) or doing audio only, I'd suggest trying a headset microphone so you can get a consistent distance from your mouth to the mike. Some microphones are much more sensitive than others, so sometimes changing microphones can make a huge difference in your recordings.

    Also, if the microphone is a noise cancelling type, you can sometimes get some odd results depending on the ambient sounds. If I have to record in a relatively noisy area, I use two mikes, one on me and one for ambient, and mix in the ambient one out of phase (thereby canceling the ambient noise picked up by the main mike). It's an old trick I used to use for on-site live music recordings and can help, but takes at least a minimum sound board or mixer and some effort to ride the gain controls during the recording.
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    • Profile picture of the author Charlotte Jay
      Originally Posted by rickfrazier1 View Post

      It may not be really apparent, but one of the things that makes a huge difference in sound quality of a recording is the distance from the microphone and the aim of the mike. Most mikes have a cardioid pattern, which is a sort of rounded heart shaped area of sensitivity in front of the mike. Another way to think about it is to imagine a loosely filled balloon, with the microphone poked into one side. The point on axis forward of the front of the microphone is the most sensitive, with some sensitivity to the sides, and relatively little to the back (where the wire comes out). If you are talking to slides that you are recording on your PC, you may be moving towards and away from the microphone. This can cause a pumping effect, or can make a huge difference between sections, depending on how close you get to the mike.

      As someone already mentioned, if you can run the voice through a processor to compress and level the volume, you can get very consistent audio. I haven't looked for awhile, there's probably an application available for the PC that will do that. Years ago, I used separate outboard audio processing units for this function for live recordings.

      Depending on your voice, there also may be a proximity effect involved. Bass and lower frequency tones are picked up better by a microphone when they are very close by. As you move away from the mike, there is a sharp dropoff as you move away, which is not nearly so noticeable for higher pitched tones or high voices.

      If you aren't in the picture (for video) or doing audio only, I'd suggest trying a headset microphone so you can get a consistent distance from your mouth to the mike. Some microphones are much more sensitive than others, so sometimes changing microphones can make a huge difference in your recordings.

      Also, if the microphone is a noise cancelling type, you can sometimes get some odd results depending on the ambient sounds. If I have to record in a relatively noisy area, I use two mikes, one on me and one for ambient, and mix in the ambient one out of phase (thereby canceling the ambient noise picked up by the main mike). It's an old trick I used to use for on-site live music recordings and can help, but takes at least a minimum sound board or mixer and some effort to ride the gain controls during the recording.

      Great info Rick and one I think that's very helpful. My H works professionally in live sound, so I get all the best toys to play with lol
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